Boards Of Canada Geogaddi 320 Guest

A masterpiece. That's all I have to say of this album. This was the first album I heard of Boards of Canada and it just changed my concept of music in a whole.

I give this one star for the effort of actually publishing this noise. I've listened to the whole album in its entirety and let me tell I give this one star for the effort of actually publishing this noise. I've listened to the whole album in its entirety and let me tell you, it was a battle! The only purpose I see for this album would be to put you to sleep, but I have a fan that does that well enough. If you found this album thought provoking, creative, or a masterpiece of any sort, do me a favor and lay off the drugs.Expand
Geogaddi

Overview

Boards Of Canada Geogaddi 320 Guest

Boards Of Canada Geogaddi Reversed

The artistic nature of Scotsmen Marcus Eoin and Michael Sandison, the pastoral ambient-psychedelicists who are Boards of Canada, is secretive, meticulous, and glowingly warm. They give few interviews, don't play live shows (they're not DJs), and release Whitman-meets-Satie proclamations on the world's beauty in limited vinyl editions. In the process, Boards have unwittingly cultivated a rabid fan base, who have been breathlessly anticipating a follow-up to their epochal 1998 debut, Music Has the Right to Children. Geogaddi, a crystalline 23-track sprawl, is quite worth the wait, cementing the duo's digi-log electronica aesthetic while moving their sound towards the pan-global techno-pop Xanadu of Björk and Timbaland. Their basic musical elements remain: filtered analog-synth melodies, crackly-wack hip-hop beats, and sampled voices of innocence, sometimes manipulated beyond comprehension. They're also still fond of composed fragments that are more couplets than full-blown stanzas. But when they do get to dreaming in long form -- this time with tablas and artificial gallops for rhythm beds -- the result is akin to a Ripley's natural phenomenon. And there, amid the rhythmic minimalism of the darkly cloudy 'Gyroscope,' the Arabic wistfulness that accompanies the keyboard trance of 'Alpha and Omega,' and the gamelan-infected ambient spirits of 'The Devil Is in the Details,' lies Boards of Canada's idealized terra nova. It is a wonderful place.